When we begin to write, we know nothing. Our writing muscles are weak and flabby, having never been exercised. Or, it may be you have toned them in a specific way, to write a certain way, such as technical papers, and now they need to be trained to write fiction – like a sprinter training for a marathon.
We can learn a certain amount from
watching, and writers do this by learning from what they read. The problem with
this is:
- ·Not everything you read will be quality and you may not (in the early days) be able to distinguish; and
- ·Eventually you will get to the point where you know what you’re reading is better than what you’re writing, but you don’t know why.
Like an athlete trying to learn from
watching, we can observe the effect, but we can’t always observe all the
technical detail, or understand it if we can observe it. Why does a runner
warm-up? Why does he run in a certain way? What is the strategy that goes into
a marathon? None of these are things you can observe.
As your writing skill improves, you will
know the sentence you are reading is better than yours but not why. And
the why can’t be observed. Through trial and error you may eventually
figure out the why, but this is the long, hard way.
There is an easier (and much faster) way.
In my own learning curve, there have been
three key events that accelerated my writing skills:
- Joining a critique group;
- Taking advantage of the advice of a freelance editor; and
- Workshops.
These days, they are easily accessible
online and often inexpensive as well. I mostly do mine through Savvy Authors,
but there are plenty of others to choose from. In fact, if you want to see how
serious I am about workshops, you can find the complete list of workshops I
have completed on my website.
Workshops will teach you the technical
details, the why you can’t learn from observation. Why does sentence
length matter? Why are adverbs bad? Why are saidisms bad? How do I improve my
sentence? Why does POV matter? How do I write better descriptions? How can I
create better plots How do I create more conflict?
Even if you have been doing some of these
things right before, a workshop may help you to better understand what you have
been doing intuitively or unconsciously, and then you can make an effort to do more
of it consciously.
As an example, I am plotting an outline for
my next book at the moment. I’ve started from an outline I did previously,
because when I plotted my last book, I plotted its sequel at the same time. Now
I remember the last time I did this, when I went to write the book, I realised
I had half a book badly in need of subplots.
This time, as I am writing it, I’m
thinking:
- Has it got enough subplots?
- Why are the characters doing these things? Do they make sense?
- Is there enough conflict/tension?
- What do each of the characters want?
I couldn’t easily answer any of those
questions just looking at the outline, but I simply thought ‘I will do a Goal
Motivation Conflict’ chart. And that helps me to see what characters should be
doing, what’s stopping them achieving their goals, and any other areas of
potential conflict. Such a simple tool, but one of which I was unaware last
time I outlined. In fact, I wasn’t even consciously asking the questions last
time.
Now you may be aware of GMC charts already
(or not), or you may not like to use structured tools (I do, because hey, let’s
face it, I’m a lawyer and that’s how I think) but I assure you there is more to
learn that just GMC charts, and you can apply the knowledge without using the
structured tools if that’s your preference.
After all, the important thing I really
took away from that workshop was not the GMC chart, but the knowledge to ask
the questions I asked. Answering the questions can be done in a multitude of
ways, in whatever manner best suits your writing process, but you can’t
answer a question you don’t know to ask.
So if you haven’t already done so, go!
Study! And learn. If you have used workshops, what did
you study, and did you find it valuable?
For a list of the workshops I have attended, please visit my website!
CIARA
BALLINTYNE
The cracks in our souls bleed darkness. High fantasy. Poignant. Immersive. Gripping.
EMAIL – info@ciaraballintyne.com
WEBSITE – http://ciaraballintyne.com
TWITTER – @CiaraBallintyne
And I couldn't resist:
4 comments:
Just the advice I needed at this point in my writing life. Thank you for sharing your experience and expertise!
It was my pleasure. The humble workshop seems too often overlooked, and yet can be the source of many epiphanies!
LMAO at the song :)
Yeah, the video had me laughing, too. I couldn't resist putting it up here. :)
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