Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Wednesday, September 7, 2016

Father Figures by Susan Kennedy #CallMeDaddy



In anticipation of the upcoming release of my novel, Call Me Daddy, I asked for stories about family: the fun, the inspirational, the heartwarming moments that make us part of a family. Susan Kennedy discusses growing up without her father and the men who helped fill that void...

Father Figures



 When I was five years old, my father died, so I don’t have many memories of what life is like with a dad. After his passing, my mother moved our little family two states north. Her decision gave me a priceless gift: father figures in the forms of my grandfather and my uncle. They welcomed us with warmth and accepted a responsibility neither had ever imagined they would be asked to shoulder: helping raise another set of children. For my grandfather, this was his second time around. His own kids were grown, and he was nearing retirement. For my uncle, we were an addition to the children he was already raising.
            If you’re a frequent reader of this blog, you know that my friend Kelly has a marvelous sense of humor. I certainly am no match for her wit nor are my life experiences half as interesting, so I hope you forgive me when you realize that this post won’t make you laugh. I don’t have any humorous tales to tell or a funny take on what it’s like to have two father figures. I do, though, have a deep well of gratitude and a wealth of memories, which appear in my mind’s eye like snapshots in a photo album. Some are more vivid than others, and the oldest ones are not always the most faded. Like the cliché of a picture being worth a thousand words, sometimes snippets of memory can be more revealing than a meditative essay, so I’m going to share my experiences with you as I see them myself: like snapshots composed of words, instead of stories.
·         My uncle helped me, as a small child, fly a kite during a family day at the beach. Unfortunately, I don’t remember it, but thankfully someone snapped a picture of us working with the kite string. Twenty-seven years later, in a “Happy Father’s Day, Uncle” card with a man and child flying a kite on the front, I gave him a copy of the photo, which I guess he hadn’t seen in several years. “Whoa!” he said and laughed. It’s a picture that means a lot to us both.
·         My grandfather was—and still is—always a good sport. One time when my sister and I were small children, he played Pretty, Pretty Princess (a board game where the object was to “earn” a set of plastic “jewelry” and a “crown”) with us. We sat on the living room floor, and as our game pieces traveled around the circular board, he followed the rules and donned each item as he earned it, even the clip-on earrings! And I think he might have won the crown, too.
·         One Christmas as an older child, I received from my uncle an Irish flute he had fashioned from a narrow, fourteen-inch white plastic tube. With a mouthpiece and six perfectly bored finger holes, it produces pleasing notes. That was about the time my friends and I were learning to play the recorder for music class. I have no idea where my recorder is now, but I still have the flute.
·         As seniors in high school, a group of my friends and I planned to meet at the prom, some of us sans dates. To drop me off at the dance, my grandfather donned a light yellow suit and tie—something he probably hadn’t worn since he had retired from banking at least a decade earlier—and played the part of my chauffer.
·         I have countless memories of my uncle explaining to me how various things were constructed and operated. With a brilliant engineer’s mind, he was—and still is—better than any episode of the Science Channel’s How It’s Made. Not only can he explain how it works, but he can probably fix it, too!
·         I have countless memories spanning nearly three decades of my grandfather teaching me about gardening, allowing me to help him by planting seeds, pruning bushes, weeding, watering, and harvesting, which of course was the best part. Those memories include summer afternoons when he and I picked blueberries from his bushes. Sometimes we worked in a comfortable silence, sometimes we talked, especially the comic strips in our state’s daily newspaper. We bonded over “the funnies” the way some New Englanders bond over the Red Sox.
·         About three years ago, I tagged along with my uncle and aunt to the New Hampshire Highland Games, an annual celebration of everything Scottish. He and I donned our kilts and we spent the day enjoying the music, food, vendors, athletics, and bagpipe parade.
·         At the reception of my cousin’s wedding five years ago, my grandfather and I shared a dance, something we had never done before despite my love of dancing. Courtesy of my aunt’s sister, I have a picture of that moment, and thankfully, I also remember it.
New Hampshire Highland Games & Festival
I  have so many good memories, and I’m lucky I can still hope to make even more. On Father’s Day this year, my family again celebrated my uncle and my grandfather. I was fortunate to grow up with them, and I am blessed to still have them both. They might not be my dad, but I couldn’t have asked for better father figures.

Susan E. Kennedy is a writer and freelance editor who holds a Master of Fine Arts in Fiction and Nonfiction from Southern New Hampshire University. Her first publishing credit came when she was fifteen, in the form of a short story that appeared in a national anthology of children’s writing. Since then, her work has appeared online and in various print publications, including Amoskeag, The View From Here, Romance Magazine, and Love Free or Die. She edits fiction and nonfiction manuscripts of all lengths, some of which have launched careers and won awards, the most recent being Destiny by Carl Howe Hansen, which won first place in the fiction category of the 2016 Green Book Festival. To learn more about Susan and her work, visit her Facebook fan page https://www.facebook.com/susanekennedymfa; her LinkedIn page https://www.linkedin.com/in/susanekennedymfa; and her Twitter feed https://twitter.com/SusanKennedyMFA

Monday, February 18, 2013

Editing: Nothing to Cry About



 If you are a writer involved in a group of like-minded crazies, I'm sure you've sent a message similar to the one I sent a few weeks ago to my inner circle:

I need a reader.

 It was a simple request and was met with a response from my friend and author David Rawding:

Sure. Page for page?

And that's how it began. I sent him 30 pages, he sent me 30. Then it became an episode of Writers Gone Wild as we delved into a week of editing---marathon style. In a week, we both did a fairly in depth evaluation of each other's novel, forsaking sleep, food, showers and work. Not really, but it took all of our spare time. And it was well worth it.

Hanging out with David Rawding
David and I have very different writing styles and our strengths are in different areas. However, our editing style is very similar, and that is where the real fun came in to play. Neither of us are much for writing 'good job!' all over a page. We're both  thick skinned and prefer helpful comments to empty compliments. To- the-point, at times harsh and at other times, pure comedy.

His comments from one particular scene were brutal.  It didn't need to be there, and the actions of my protag made no sense. Yes, my friend made fun of me. Yes, I deserved it. Yes, I was able to laugh about it-- so hard that tears filled my eyes.

You see, I love the editing process. I want to know what works and what doesn't, what needs more description or less, and what is downright wrong about a scene. I take comments and suggestions very seriously and use them to make my work stronger. But it can be a tedious process devoid of humor, so it helps to have someone who can lighten things up a bit--Even if it's me they are making fun of.

Afterall, being able to laugh at yourself is a great trait to have. And hopefully, it will keep my readers from laughing at me later. 

Check out David Rawding's website at www.davidrawding.com and read about his manuscript, Taking on Water.  

Sunday, May 20, 2012

Meet My Editor Extraordinaire


In March, I wrote a guest post for Ciara Ballintyne's 'Somebody Has To Say It' blog about finding an editor.  It took me about six weeks and I finally found one that I was willing to trust my infant to.  As Ciara commented at the end of my guest post, 'Word of mouth is a powerful thing.'  So, it was risky of her to take me on, knowing I would be blogging to the world about her services, good or bad, but she did.   Being a good sport and taking that chance got her a few points right up front.
 
Now I shall eat a bit of humble pie and say that I did not follow my own advice exactly.  However, everything is a learning experience, so let me tell you how I made my decision.

1)Price-Yes, I am price conscious.  I am on a budget and I would rather pay a moderate amount than a higher amount. Sue me for being poor.  And I know that many of you will throw out the tired, old saying 'you get what you pay for'.  That is bull.  I've bought some pretty amazing things at discount stores---you just have to be willing to take your time and shop around. 

I'm not saying my new editor is low priced---not at all.  But, moderately priced, which I think is fair to both of us.
 
2) Experience- She is new to editing, which I don't have a problem with.  She does have four or five full manuscripts in different genres under her belt and quickly provided me with those customers names and email addresses to contact.  But she is a writer, and a good one.  Her website has several examples of her work, and after reading them, I was fairly confident that she could help me with my manuscript, And They Call Me Crazy.

3) Attitude- This is something that I didn't touch on in my original post, but I am going to now.  My editor was excited about my project, from reading the brief blurb through the entire process.  Her energy and enthusiasm made me feel like we were partners, I had someone I could discuss the manuscript with as she edited. Writing is a lonely sport, and it's nice to finally have a teammate.

4)Website- If you read my original post, you know that I have a 'thing' for wanting to see someone's website.  It tells me you are serious about the job, even if you are just starting out.  My new editor's website is professionally done and has no spelling or grammar errors!  You may find that a strange thing to be excited about, but after going over several, looking for my perfect match, you have no idea how many mistakes I found.  As I said in the original post, I can make those errors all by myself, I need an editor that can find them, not make them.

But those are all factors in choosing and editor.  The big question is, after editing And They Call Me Crazy, how do I feel about her?
 
I am thrilled! A writer and a good editor form a relationship, one built on honesty and respect.  It takes a team effort to produce an amazing piece of work.  You must have a partner that is willing to help you take it to the next level.  My editor, and yes, she will be my editor again and again, not only helped me improve my work, but helped me improve it more than I had anticipated.  She exceeded my expectations, which is difficult to do, because I've been told more than once that I'm a tough one to please.  But she did it.  All hail the Editor Extraordinaire. 
 
So who is this Wonder Woman of Words, this Energizer Bunny of Editing, this Goddess of Grammar?



 
Her name is Rebecca Mahoney and you can find her here:  www.rebeccamahoney.com

And I hope you do check her out when you need an editor, because every writer needs one. No matter how good you think your work is, how engaging your neighbor found the plot or how interesting and complex your mother finds the protagonist, a second (or third, or fourth) set of eyes to go over it is necessary.... As a person who spends a lot of time editing for others, I would never claim that I don't need one myself.  I do.
 
But I've found my perfect match.

While you're clicking around, check out my books on my website.

And don't forget to read my original post about finding an editor, which also talks about a Victorian era, sex-starved, zombie dragon.  How can you resist that?

Friday, March 9, 2012

Dialogue: What's In a Name?


I like dialogue.  I like to read it, I like to write it.  For me, what a character says, and how they say it, can be more telling than any internal monologue.  A character's thoughts are their own, and therefore, it is how they perceive their own actions.  But what they say is how they are perceived by others.


Not just any dialogue, however.  I like good dialogue.  Good dialogue flows, doesn't bore the reader, doesn't take them away from the action of the story.  I've recently been editing manuscripts and one of the most distracting habits I have found is the overuse of names in dialogue and dialogue tags.



           
Consider this:

            "Jimmy, eat your dinner," Mary said.
            "But, Mom, I don't like peas," Jimmy replied.
            Mary slammed her fist into the table and raised her voice. "Jimmy, I said eat it. Now!"
            "Oh, Mary, leave Jimmy alone.  He's a teenager, they don't like peas," Bob said.
            Mary turned to her husband. "Bob, quit taking up for him."

How about:

            Mary sat the plate in front of her son. "Eat."
            "But, Mom..."
            She slammed her fist on the table. "Now!"
            "Oh, leave him alone, he doesn't like peas."
            "Quit taking up for him!"

Too simplified? Maybe.  But in a scene, you would know who is at the table: Mom Mary, teenager Jimmy and Dad Bob.  Removing the names from the dialogue, as well as some of the dialogue tags, makes the scene flow more freely and doesn't take away from the action, or in this case the tension of the scene. 

Less is better. 

 

Friday, February 3, 2012

And They Call Me Crazy


Almost two years ago, I sat in a workshop given by the amazing Joyce Maynard.  I had just finished her book Labor Day (and loved it) and so of course my ears perked up when she started talking about the process of writing that particular novel.  Afterall, I was in the middle of writing Ragtown, and wanted to know everything I could about the process that others, read as, 'great' writers go through, hoping to find some similarity, something that might ease my mind about the blood I was sweating over my keyboard.  Then she hit me; a slap wouldn't have produced such a sting.  Eleven days.  It took her eleven days to finish the rough draft of Labor Day.

I wasn't sure I'd heard her correctly, and verified this with her later in the day.  Slap, slap. Yes. Eleven days.

It took me two years to finish Ragtown.  Granted, it is my first major piece of work, and there was a lot of historical research involved.  But two years versus eleven days?  I'm not worthy.

Every November, National Novel Writing Month, better known as NanoWriMo, comes around.  It encourages writers to write a 50,000 word novel in 30 days and offers peer support and encouragement along the way.  I've never participated, basically because I didn't see how it could possibly be done.  I know people do it, but me? Never.

A friend of mine, Leif G.S. Notae, finished his 50,000 words in three days.  Then wrote an article titled "How I Wrote 50,000 Words in Three Days (And You Can Too)".  I read it and thought, no, I can't. 

One of my favorite authors of late is Russell Blake.  I've been devouring his books and one of my favorites is King of Swords, which was followed by the prequel, Night of the Assassin.  Then I read an interview with Russell---King of Swords, fourteen days.  Night of the Assassin---eleven. 

Granted, the novels I've mentioned above and the time it took to write them are pre-editing, but still, two weeks? Eleven days? THREE days?  No way. NO (insert your favorite curse word) WAY! At least not for me.

On January 10, I pulled out a very short story I had written last year, thinking I would pretty it up and send it off to some journals.  I sent it to a good friend, Darren Leo, for editing.  I also mentioned the possibility that I would, one day, write a novel and use this piece as the first chapter.  One of his comments really caught my eye. "I would definitely like to hear more about these characters."

I knew where I wanted to go with this piece.  I thought about Joyce and Leif and Russell and all the NanoWriMo-er's, and again thought--- No. I can't. 

Then on January 11, I wrote five thousand words.  By the end of the day, I was starting to say, 'well, maybe I can.'

Three days and 20,000 words later, I realized: Yes, I can.  And even better: Yes, I will.  My mojo was working overtime, my muse was on speed dial and I knew my story.  I couldn't type fast enough to get it all down.   

And I did it.  55,362 words. 16 days. THE END.
  
Sure, it's rough, and I'll be revising and editing for several months, but I did something I had thought was out of my reach, something I thought was only reserved for really 'great' writers, something I thought I could never do.  All I had to do was find my story and start typing; and like the little engine that could, start saying 'I can' instead of  'I can't'.

I recently talked to Joyce Maynard, two years after that workshop.  This time, instead of feeling that sting, I found myself nodding my head when she said "all of my books have been written in short, intense bursts...But I believe in getting in the zone and staying there."  

And now I get it. Story. Zone. Butt to chair. Fingers to keyboard. Yes, I can.
Yes, I did.


For more about And They Call Me Crazy, check out my 'Work in Progress' tab above. 


Monday, September 5, 2011

Music to Edit By….

Music nurtures creativity and many writers incorporate music into their writing routines.  I know some who listen to show tunes, classical music or just their favorite mix while they write. I know a certain crime writer who listens to opera, and a chick lit author who states her best writing happens when she blasts ear-shattering acid rock through her headphones.  Everyone is different.   

I don’t listen to music while I write, preferring the sound of fingers to keyboard.  However, I do typically listen to music of the specific time period I am visiting before writing to get me in the mood.  Most recently my selections have been from the 1930’s and I have discovered a new appreciation for Eddie Cantor, Louis Armstrong and Bessie Smith.  But modern music, or even music from the past thirty years, hasn’t played much of a role in my writing process.  Until recently.


I am now in the editing process of my novel, Ragtown, which is set during the 1930’s.  I am to the point where I have certain scenes that I am trying to get ‘just right’.  Last week while in the car, I was thinking of a specific scene that didn’t build the way I wanted it to.  Then Michael Jackson and KKLZ 96.3 saved me. As I sang along to “Will You Be There” I realized that was exactly the beat I wanted my scene to take: the crescendo leading to an amazing climax.  I went home, dug out my old Dangerous CD, and sat down to edit. It was just the example, and in this particular song the inspiration, I needed.  The scene is now just as it should be.   

Lucky for me, I am a lover of all types of music, which has played well into my latest editing technique.  I now have scenes that I have edited while listening to Martina McBride’s “Independence Day,” Gladys Knight’s “Midnight Train to Georgia” and Guns & Roses “Welcome to the Jungle.” (Yep, that’s how I roll)

I DARE you not to feel it at the 2:35 mark

I doubt that I will ever change my routine during the writing process for fear of using anachronistic phrases that the lyrics might inspire.  I don’t want my 1930’s ragdoll referring to her love interest as ‘her boo’ nor do I want my protagonist referring to himself as the ‘real slim shady.’

But for editing, anything is game: as long as it has the right beat.   

What do you listen to while writing/editing?