You just have to love how Raine Thomas, author of , worked the Hoover Dam into this one!
Are you a plotter or a pantser?
I’ve been asked this question any number of times in interviews, and
every time, it makes me wince. Perhaps it’s a testament to my school days, but
when I hear “pantser,” I envision bullies in hallways reaching for the
much-too-high waistbands of unsuspecting nerds. Humiliation simply oozes from
the word.
The bottom line is that I’m a Type A. “Pantser” has no room in my
vocabulary.
Okay, that’s a little extreme. In truth, when I write my books, I’m a
little of both. I always, always, always (yes, it’s worth stating three times)
start with an outline. My first outlines were more general, giving me a basic
guideline for the beginning, middle and end of the story. The outline for my
current WIP, Shift, on the other
hand, is a chapter-by-chapter outline that is so thorough it allowed me to
write 10,000 words a day when I actually had a full weekend to dedicate to just
writing.
That said, I’ve never stuck to an outline. Not once. Even with Shift’s outline being so detailed that the
story could practically write itself (ha, ha), I’ve strayed from it. I believe
in letting my characters tell their own stories, and I’m not going to be
limited by an outline, despite its importance.
Writers who indicate that they write “by the seat of their pants” cause
me serious concern. Writing is tough. Like other professions, it requires
strict adherence to certain mechanics to ensure a quality final product, even
if the end result differs by “engineer.”
Do you think the Hoover Dam was built on a whim? That a group of
individuals just decided to wing it and throw up a structure to contain the
Colorado River?
Of course not. They had a carefully crafted plan before they started.
Sure, they had to vary from that plan as they faced unexpected challenges, but
they stuck to the main goal and ultimately made it happen.
Writing an effective story isn’t so very different. It’s important to
have a clear plan for a story before getting started. This doesn’t mean having
some vague idea of a cool character overcoming a challenge. This means laying
out the bones of the story so that when it’s put to paper, it stands strong.
I suggest starting with character sketches of the main protagonist(s).
Writers should know their characters inside and out. I create sketches that
contain details I never reveal in the actual books, but that compose the cores
of my characters. As long as I know those details, the characters come alive on
the page.
Then comes the general outline. How will the story begin? How will it
end? What will happen in between?
In truth, I think many writers can create full-length novels using only
the above devices. If they want to write more quickly, I suggest using the
detailed, chapter-by-chapter outline that I mentioned above. It’s amazing how
much time is saved when there’s no pause between chapters, trying to figure out
what to write next. Thus, taking the initial time to create an outline will
save tons of time later when it comes to actually writing.
Am I a plotter or a pantser? I’m a plotter, baby…and you should be,
too!
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